https://www.postilladarte.it/blog daily 0.75 2026-05-10 https://www.postilladarte.it/blog/alexander-calder-alla-fondation-louis-vuitton monthly 0.5 2026-04-14 https://www.postilladarte.it/blog/la-severit-della-gioia-david-hockney-e-i-due-regimi-del-vedere monthly 0.5 2026-03-10 https://www.postilladarte.it/blog/perch-le-ninfee-di-monet-sono-ancora-attuali monthly 0.5 2026-03-05 https://www.postilladarte.it/blog/matteo-massagrande-la-pittura-che-produce-silenzio-quando-limmagine-smette-di-farsi-vedere-e-comincia-a-farsi-sentire monthly 0.5 2026-05-10 https://www.postilladarte.it/blog/berndnaut-smilde-e-il-diritto-dellinstabile-a-essere-reale monthly 0.5 2026-05-10 https://www.postilladarte.it/blog/la-metafisica-del-petalo-mark-rothko-e-rachel-ruysch-intensit-senza-racconto monthly 0.5 2026-05-10 https://www.postilladarte.it/blog/chiharu-shiota-the-soul-trembles-il-tempo-respira-la-materia-ricorda-f59x7 monthly 0.5 2026-05-10 https://www.postilladarte.it/blog/il-silenzio-che-ridefinisce-lo-sguardo-helene-schjerfbeck-al-metropolitan-museum-of-art-di-new-york monthly 0.5 2026-05-10 https://www.postilladarte.it/blog/matisse-e-il-codice-del-colore monthly 0.5 2026-05-10 https://www.postilladarte.it/blog/chiharu-shiota-the-soul-trembles-il-tempo-respira-la-materia-ricorda-3dhtx monthly 0.5 2026-05-10 https://www.postilladarte.it/blog/gino-2-9ekjh monthly 0.5 2026-05-10 https://www.postilladarte.it/blog/gino-2 monthly 0.5 2026-05-10 https://www.postilladarte.it/blog-1-1 daily 0.75 2026-06-09 https://www.postilladarte.it/blog-1-1/non-erano-assenti-erano-amministrati monthly 0.5 2026-06-09 https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/7cdb8291-19fa-4d20-9d97-3f912717a2d6/celibertignam.jpg Punti di vista - Non erano assenti. Erano amministrati. - Metti in risalto Veduta della mostra Giorgio Celiberti. Dalla Biennale del '48 ad oggi alla Galleria Nazionale d’Arte Moderna e Contemporanea di Roma. L’esposizione rilegge oltre settant’anni di ricerca artistica all’interno di una più ampia prospettiva storica e istituzionale. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/1c826e19-9c1e-4a81-8fb0-08007dbe618c/celiberticondirettrice.jpg Punti di vista - Non erano assenti. Erano amministrati. - Metti in risalto Giorgio Celiberti in occasione della donazione di Dissociazione alla collezione permanente della Galleria Nazionale di Arte Moderna e Contemporanea. L’ingresso dell’opera nel patrimonio del museo amplia il significato della mostra e consolida pubblicamente il percorso dell’artista. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/2cc9ca10-f7cf-4346-82cb-f4ae4782887d/adami.jpg Punti di vista - Non erano assenti. Erano amministrati. - Metti in risalto Veduta della mostra Valerio Adami. Pittore di idee a Palazzo Reale, Milano. L’esposizione ripercorre oltre sessant’anni di ricerca, riportando al centro una pittura costruita sul rapporto tra immagine, pensiero e memoria culturale. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/240f2cc0-2fd2-4778-98eb-56bf1cfc35c1/archivio+adami0609_114719.jpg Punti di vista - Non erano assenti. Erano amministrati. - Metti in risalto L’Archivio Valerio Adami conserva, organizza e rende accessibile la documentazione dell’opera dell’artista. Cataloghi, fotografie, corrispondenze ed esposizioni costituiscono l’infrastruttura che ne sostiene la leggibilità storica e istituzionale. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/11ea61a1-39d8-4a23-a1fc-5f23893b77e1/ceroli.jpg Punti di vista - Non erano assenti. Erano amministrati. - Metti in risalto Veduta della mostra Ceroli Totale alla Galleria Nazionale d’Arte Moderna e Contemporanea di Roma. L’allestimento restituisce la dimensione ambientale e teatrale della ricerca di Mario Ceroli, rileggendola all’interno di una prospettiva istituzionale di lunga durata. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/0002c227-5c65-4f6a-84fc-6372911150f8/yayoi+k.jpg Punti di vista - Non erano assenti. Erano amministrati. - Metti in risalto Il Yayoi Kusama Museum di Tokyo testimonia come la lunga durata dell’artista vivente possa trasformarsi in una presenza stabile all’interno del sistema museale internazionale. La carriera diventa così una risorsa culturale, istituzionale ed economica di scala globale. https://www.postilladarte.it/blog-1-1/dal-mediterraneo-allatlantico-dopo-venezia-new-york-verifica-il-sistema-dellarte monthly 0.5 2026-05-18 https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/c14594d0-527f-4627-a92a-91d72868c5c7/la+biennale2026.jpg Punti di vista - Dal Mediterraneo all’Atlantico. Dopo Venezia, New York verifica il sistema dell’arte - Metti in risalto Padiglione Centrale, Giardini. Foto: © Francesco Galli. Courtesy of La Biennale di Venezia. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/247a0ba2-c8c6-4ea2-a04b-bdd874b10483/Frieze+New+York+2025.jpg Punti di vista - Dal Mediterraneo all’Atlantico. Dopo Venezia, New York verifica il sistema dell’arte - Metti in risalto Frieze New York 2025 at The Shed. Photo: Casey Kelbaugh. Courtesy Frieze and CKA. Alla fiera, la visibilità culturale diventa posizione: galleria, domanda, sostegno, traiettoria. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/4388e8f6-b0d3-46aa-a7aa-bb554e4ccaf5/tefaf+2026.jpg Punti di vista - Dal Mediterraneo all’Atlantico. Dopo Venezia, New York verifica il sistema dell’arte - Metti in risalto Interior view of TEFAF New York 2026. Photo: Vincent Tullo. Courtesy TEFAF. Source: Artsy. Più il calendario accelera, più il mercato cerca punti d’appoggio capaci di reggere il tempo. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/38ea5b69-d787-40d7-a79b-3c16eb7ce1b8/allestimenti-mark-rothko-palazzo-strozzi-4.webp Punti di vista - Dal Mediterraneo all’Atlantico. Dopo Venezia, New York verifica il sistema dell’arte - Metti in risalto Rothko a Firenze, exhibition view, Palazzo Strozzi, Firenze, 2026. Photo: Ela Bialkowska, OKNO Studio. Courtesy Fondazione Palazzo Strozzi. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/b537ca67-2eed-4cd6-88f8-2e35030a7f0c/calderflv.jpg Punti di vista - Dal Mediterraneo all’Atlantico. Dopo Venezia, New York verifica il sistema dell’arte - Metti in risalto Installation view, Calder. Rêver en équilibre, Fondation Louis Vuitton, Paris, 2026. Source: Sortir à Paris. Con Calder, il valore economico cerca una durata più ampia: anniversario, fondazione, genealogia, istituzione. https://www.postilladarte.it/blog-1-1/dove-stiamo-andando-se-il-valore-non-basta-pi monthly 0.5 2026-04-19 https://www.postilladarte.it/blog-1-1/venezia-2026-la-biennale-che-addensa-il-presente monthly 0.5 2026-04-03 https://www.postilladarte.it/blog-1-1/lincanto-oggi-non-ci-che-seduce-ma-ci-che-continua-ad-agire monthly 0.5 2026-03-23 https://www.postilladarte.it/blog-1-1/la-vera-opera-sulla-mostra-come-nuovo-formato-di-pensiero-dellarte-contemporanea monthly 0.5 2026-03-13 https://www.postilladarte.it/blog-1-1/botanica-emotiva-martina-gecchelin monthly 0.5 2026-02-17 https://www.postilladarte.it/blog-1-1/la-fiera-che-non-decide-arte-fiera-bologna-e-lestetica-della-sospensione monthly 0.5 2026-02-12 https://www.postilladarte.it/blog-1-1/architettura-del-tempo-il-museo-europeo-e-la-resa-praticabile-del-rischio monthly 0.5 2026-02-10 https://www.postilladarte.it/blog-1-1/tante-strade-ununica-cautela-sincronia-negativa-e-gestione-del-rischio-nel-contemporaneo monthly 0.5 2026-01-29 https://www.postilladarte.it/blog-1-1/rifugio-semiotico-sopravvivere-al-discorso-sullopera-che-non-vuole-pi-spiegarsi monthly 0.5 2026-01-26 https://www.postilladarte.it/blog-1-1/quando-la-critica-arriva-dopo-il-prezzo-diventa-lunica-grammatica-disponibile-1 monthly 0.5 2026-01-24 https://www.postilladarte.it/blog-1-1/il-credito-dello-sguardo-perch-oggi-non-basta-vedere-maria-helena-vieira-da-silva-riapre-lo-spazio-tacita-dean-espone-la-fragilit-del-tempo monthly 0.5 2026-01-24 https://www.postilladarte.it/blog-1-1/oltre-levento-simone-crestani-la-genetica-del-gesto-come-grammatica-della-durata monthly 0.5 2026-01-24 https://www.postilladarte.it/blog-1-1/leuropa-guarda-il-giappone-per-capire-se-stessa-perch-lukiyo-e-torna-oggi-al-centro-dello-sguardo-europeo monthly 0.5 2026-01-24 https://www.postilladarte.it/blog-1-1/leffetto-farfalla-di-hokusai-sul-mercato-globale monthly 0.5 2026-01-24 https://www.postilladarte.it/blog-1-1/il-tempo-breve-delleternit-come-larte-oggi-accade-nel-tempo monthly 0.5 2026-01-24 https://www.postilladarte.it/blog-1-1/il-gesto-come-asset-hartung-gutai-e-lanteprima-del-valore-di-mercato monthly 0.5 2026-01-24 https://www.postilladarte.it/blog-1-1/gli-interstizi-del-valore-cattelan-e-vettriano-come-sentinelle-del-mercato-contemporaneo monthly 0.5 2026-01-24 https://www.postilladarte.it/blog-1-1/larchivio-silenzioso-i-segreti-di-come-la-fotografia-anonima-tedesca-riscrisse-la-serialit-americana monthly 0.5 2026-01-24 https://www.postilladarte.it/indagini daily 0.75 2026-05-21 https://www.postilladarte.it/indagini/il-volto-nascosto-dietro-olympia monthly 0.5 2026-05-21 https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/90fc2fae-90ea-4492-9b27-ac3658b7c899/burlington+magazine+italiano.jpg Indagini - Il volto nascosto dietro Olympia - Metti in risalto Scheda dell’articolo di Laure Boyer pubblicato su The Burlington Magazine, maggio 2026. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/4e639ebe-fbff-4d95-8e88-5335f6a4dbd9/particolare+foto+victorine.jpg Indagini - Il volto nascosto dietro Olympia - Metti in risalto Victorine Meurent fotografata negli anni Sessanta dell’Ottocento. L’immagine è tra quelle recentemente riemerse nel fondo Fantin-Latour conservato al Musée de Grenoble. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/e1ab013e-976d-4c0e-ab14-912354a19255/%C3%89douard_Manet_-_Le_D%C3%A9jeuner_sur_l%27herbe.jpg Indagini - Il volto nascosto dietro Olympia - Metti in risalto Édouard Manet, Le Déjeuner sur l’herbe, 1863, Musée d’Orsay, Parigi. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/646623fb-1232-4a65-b3df-4cd9a60e9d88/manet+confronto+foto+victorine.jpg Indagini - Il volto nascosto dietro Olympia - Metti in risalto Confronto tra Le Déjeuner sur l’herbe e una fotografia attribuita a Gaudenzio Marconi e identificata come immagine di Victorine Meurent, 1863 ca., fondo Fantin-Latour / Musée de Grenoble. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/da31671d-1995-4001-802f-315cb0eadd47/manet+olympia.jpg Indagini - Il volto nascosto dietro Olympia - Metti in risalto Édouard Manet, Olympia, 1863, Musée d’Orsay, Parigi. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/4fcf2f0e-60bc-4a0d-9bfd-cd9344be7683/marcono+victorineper+olympia.webp Indagini - Il volto nascosto dietro Olympia - Metti in risalto Victorine Meurent in una fotografia attribuita a Gaudenzio Marconi e collegata agli studi per Olympia, 1863 ca., fondo Fantin-Latour / Musée de Grenoble. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/f7cc543c-c389-4520-b7b2-961f34b07223/primopiano+olympiajpg.jpg Indagini - Il volto nascosto dietro Olympia - Metti in risalto Édouard Manet, Olympia, dettaglio, 1863, Musée d’Orsay, Parigi. https://www.postilladarte.it/indagini/matisse-recuperato-gurlitt-rosenberg monthly 0.5 2026-05-04 https://www.postilladarte.it/berndnaut daily 0.75 2026-05-10 https://www.postilladarte.it/berndnaut/berndnaut-smilde-and-the-claim-of-the-unstable-to-reality monthly 0.5 2026-05-10 https://www.postilladarte.it/nuovo-blog daily 0.75 2026-05-18 https://www.postilladarte.it/nuovo-blog/from-the-mediterranean-to-the-atlantic-after-venice-new-york-tests-the-art-system monthly 0.5 2026-05-18 https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/a0a74bf3-9434-42cb-8169-9f5f19af2158/labiennale.jpg From the Mediterranean to the Atlantic. After Venice, New York tests the art system - From the Mediterranean to the Atlantic. After Venice, New York tests the art system - Metti in risalto Central Pavilion, Giardini della Biennale, Venice. Photo: Francesco Galli. Courtesy La Biennale di Venezia. Venice makes the present visible; a few days later, New York puts it to the test. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/6bbc0c5d-37a3-4bf3-a80d-1fd624776ac8/Frieze+New+York+2025.jpg From the Mediterranean to the Atlantic. After Venice, New York tests the art system - From the Mediterranean to the Atlantic. After Venice, New York tests the art system - Metti in risalto Frieze New York 2025 at The Shed. Photo: Casey Kelbaugh. Courtesy Frieze and CKA. At the fair, cultural visibility becomes position: gallery support, demand, trajectory. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/454e3ca4-f49f-4d3f-97c4-b81dbd37ac27/tefaf+2026.jpg From the Mediterranean to the Atlantic. After Venice, New York tests the art system - From the Mediterranean to the Atlantic. After Venice, New York tests the art system - Metti in risalto Interior view of TEFAF New York 2026. Photo: Vincent Tullo. Courtesy TEFAF. The more the calendar accelerates, the more the market looks for points of support capable of withstanding time. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/bcd9217c-3f13-4075-a1af-b36b06d88545/allestimenti-mark-rothko-palazzo-strozzi-4.webp From the Mediterranean to the Atlantic. After Venice, New York tests the art system - From the Mediterranean to the Atlantic. After Venice, New York tests the art system - Metti in risalto Rothko in Florence, exhibition view, Palazzo Strozzi, Florence, 2026. Photo: Ela Bialkowska, OKNO Studio. Courtesy Fondazione Palazzo Strozzi. The museum does not directly produce the price; it builds the environment in which value appears less isolated. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/df7bf134-3bc1-487c-9b29-61e6ef4a5a55/calderflv.jpg From the Mediterranean to the Atlantic. After Venice, New York tests the art system - From the Mediterranean to the Atlantic. After Venice, New York tests the art system - Metti in risalto Installation view, Calder. Rêver en équilibre, Fondation Louis Vuitton, Paris, 2026. Source: Sortir à Paris. With Calder, economic value seeks a broader duration: anniversary, foundation, genealogy, institution. https://www.postilladarte.it/nuovo-blog-1 daily 0.75 2026-06-09 https://www.postilladarte.it/nuovo-blog-1/they-were-not-absent-they-were-managed monthly 0.5 2026-06-09 https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/7e4e80f5-f1c5-4afc-9fad-c31d79c06089/celibertignam.jpg The face behind Olympia - They Were Not Absent. They Were Managed. - Metti in risalto Installation view of Giorgio Celiberti. Dalla Biennale del '48 ad oggi at the National Gallery of Modern and Contemporary Art in Rome. The exhibition rereads more than seventy years of artistic practice within a broader historical and institutional framework. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/2790e5cd-299d-4446-97bb-bf51cc8727a4/celiberticondirettrice.jpg The face behind Olympia - They Were Not Absent. They Were Managed. - Metti in risalto Giorgio Celiberti on the occasion of the donation of Dissociazione to the permanent collection of the National Gallery of Modern and Contemporary Art. The work’s entry into the museum’s holdings extends the significance of the exhibition and publicy reinforces the artist’s long-term trajectory. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/90ebdea1-fb4e-490c-9c7c-5a4f42a8c53c/adami.jpg The face behind Olympia - They Were Not Absent. They Were Managed. - Metti in risalto Installation view of Valerio Adami. Pittore di idee at Palazzo Reale. The exhibition surveys more than sixty years of artistic practice, bringing renewed attention to a body of work shaped by the relationship between image, thought, and cultural memory. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/350afb90-d5ba-4124-b0e5-86d729f862ef/archivio+adami0609_114719.jpg The face behind Olympia - They Were Not Absent. They Were Managed. - Metti in risalto The Valerio Adami Archive preserves, organizes, and makes accessible the documentation of the artist’s work. Catalogues, photographs, correspondence, and exhibition records from the infrastructure that supports its historical and institutional legibility. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/d1ddff13-4bd8-4890-86d3-bb041fd879a1/ceroli.jpg The face behind Olympia - They Were Not Absent. They Were Managed. - Metti in risalto Installation view of Ceroli Totale at the National Gallery of Modern and Contemporary Art in Rome. The exhibition restores the environmental and theatrical dimension of Mario Ceroli’s practice, rereading it within a long- term institutional perspective. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/0eec6fc4-a8ba-4523-acc1-5ff47bce63c5/yayoi+k.jpg The face behind Olympia - They Were Not Absent. They Were Managed. - Metti in risalto The Yayoi Kusama Museum in Tokyo reflects how the long duration of the living artists can become a stable presence within the international museum system. A career thus becomes a cultural, institutional, and economic resource on a global scale. https://www.postilladarte.it/nuovo-blog-1/the-face-behind-olympia monthly 0.5 2026-05-21 https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/49f8e6ef-0085-4321-90c1-b047685141d3/burlington+magazine+inglese.jpg The face behind Olympia - The face behind Olympia - Metti in risalto Entry for Laure Boyer’s article published in The Burlington Magazine, May 2026 https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/0db9e945-78aa-4cfa-b8b4-9bdaeb015192/particolare+foto+victorine.jpg The face behind Olympia - The face behind Olympia - Metti in risalto Victorine Meurent photographed in the 1860s. The image is among those recently rediscovered in the Fantin-Latour collection held at the Musée de Grenoble. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/65faa220-e3cd-410a-96c1-9a64bcab9020/%C3%89douard_Manet_-_Le_D%C3%A9jeuner_sur_l%27herbe.jpg The face behind Olympia - The face behind Olympia - Metti in risalto Édouard Manet, Le Déjeuner sur l’herbe, 1863. Musée d’Orsay, Paris. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/e72c62e1-06e5-4400-aca4-0f03dca09d10/manet+confronto+foto+victorine.jpg The face behind Olympia - The face behind Olympia - Metti in risalto Comparison between Le Déjeuner sur l’herbe and a photograph attributed to Gaudenzio Marconi and identified as Victorine Meurent, c. 1863, Fantin-Latour collection / Musée de Grenoble. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/b0e834f4-ba8e-4bca-b16b-d7c951db96bd/manet+olympia.jpg The face behind Olympia - The face behind Olympia - Metti in risalto Édouard Manet, Olympia, 1863, Musée d’Orsay, Paris. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/0ec628b4-e6f0-403c-a5ed-02bf78b828d5/marcono+victorineper+olympia.webp The face behind Olympia - The face behind Olympia - Metti in risalto Victorine Meurent in a photograph attributed to Gaudenzio Marconi and connected to the studies for Olympia, c. 1863, Fantin-Latour collection / Musée de Grenoble. https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/17f05fbc-3d2a-4232-91df-856307569740/primopiano+olympiajpg.jpg The face behind Olympia - The face behind Olympia - Metti in risalto Édouard Manet, Olympia, detail, 1863, Musée d’Orsay, Paris. https://www.postilladarte.it/home daily 1.0 2026-01-24 https://www.postilladarte.it/chi-sono daily 0.75 2025-12-28 https://images.squarespace-cdn.com/content/v1/6918c1cb9b979e45870246f8/e0645cbd-bcbe-4cf6-a7be-3c946f47b143/IMG-20251125-WA0038.jpg https://www.postilladarte.it/contatto-2 daily 0.75 2026-02-17